This Saturday, the Flapper Bellydance Fusion performance series started at Dragonfly Bellydance. The studio filled with flappers ready for action, I could feel the enthusiasm and focus of the group. I love connecting with other vintage dance lovers and am super looking forward to sharing this fusion choreography with this bunch. Oh there will be more reminders but for now just save the date: Sunday May 26th is the Dragonfly Spring Showcase where the flappers will be taking the stage alongside many other fabulous dancers from the studio. This event usually sells out, so get your tickets in advance. You’ve been warned.
The momentum is real in Montreal. It it was pretty awesome to have a little taste of the delicious fusion happenings in this city last weekend. I hadn’t been in years and the last bellydance-related thing i went to there was (Mardi Love) close to ten years ago!
Planning this trip with the troupe was exciting, particularly since this was the first year in a long while I didn’t go to Cues and Tattoos. We also hadn’t gone to a Canadian tribal festival and were excited to learn from the instructors and share what we do in the closing show. I was also in seventh heaven because BOTH Serpentina and House of Shimmy were all on a road trip together –half of my brain was eating up the info for group improv and the other half was focused on duet combos.
I’ve been following Cult of Yes online and love the dynamic of a creative duo that draws an audience into their individual characters and synergistic flow. So of course I signed up immediately for their Danger Zone workshop. It was a number that was to be performed a the closing show and I was feeling a little down that time didn’t allow me to get onstage for this. Serpentina North Ensemble was also in the show and it was cutting it too close getting ready between workshops and the show. Next time!
It’s always fun when the whole troupe travels together, we stayed at a great Air bnb, a short walk from the studio and show venue. We chilled on the balcony, talked dance, rehearsed and together digested the material from the workshops.
We learned a Balkan inspired choreography from Inga Petermann the first day, and some new Unmata style ITS combos from Marina D. Ray. Day 2 was Layer Lasagna with Nawal Doucette and was so pleased with her organic organized teaching style with focus on clean technique and JUICE…I look forward to learning more from her at some point. Then we were onto the much anticipated Danger Zone with Cult of Yes! There was a strong Ontario contingent at the festival: Invoketress (Mary Wyga and Ishra), Stacie Noel, Revolve Bellydance and Heather Labonte and of course a few members of Serpentina’s student troupe, Snakebite!
The weekend wrapped up with a closing show and Serpentina shared a newer kathak fusion choreography, which we’ve showcased at Glitter in Hamilton and two Dragonfly events in Toronto. Bringing worlds together through fusion is one of our troupe specialties! We learned a saying from an audience member after our show: coupe de couer. Our movement, our expression had touched her heart she told us, pondering the right words to properly transmit the meaning from French. If ever a dancer touches my heart, I do my best to let them know. When people move you, let them know you are moved!
Thank you to the whole Tribal Momentum crew, I’m already looking forward to next year!
Sometimes dancers catch your attention in ways you can’t quite explain. I mean there are a lot of great dancers out there and we have access online to take in a lot of amazing movement art and of course being in Toronto also means tons of live shows and events to witness it in person. But there’s something about this crew…
Lately I’ve been rather infatuated with Holla Jazz, a local group of dancers that are skilled in a variety of genres but gather in this group to showcase vernacular jazz. With social media being a way artists can connect with audiences and fans, I came across their page on facebook and my interest in solo jazz was re-ignited. I haven’t done a ton of solo jazz since my time in the flapper troupe Sugar Shakers but it holds a special place in my heart –and feet!
In March I attended a vernacular jazz workshop with Natasha Powell, the founding artistic director of Holla Jazz and had a really amazing time. She taught the group of eager movers some fun combos, with focus on bringing our own flavour to the movements. After all, we’re talking social dance here –there is so much room for playfulness and to bring your own mood and authenticity to the dance.
Lucky for Toronto, Holla Jazz has a full length production Floor’d coming up later this month! I’ve had it in my calendar for a minute and then in early April, I won tickets to the show through Turnout Radio on 89.5 (if you haven’t tuned into this dance show on our last remaining community radio station, you should!). I was so excited when I called into the station to find out I’d won — and the day before my birthday, so it felt extra special…
I’m super looking forward to the show, here is the choreographers statement for more info. Whatever genre of dance you’re into, this show is one not to miss, it runs April 25-28th. See you there!
Once again the highly anticipated, impeccably-curated Bazaar of the Bizarre runs this long weekend, on Sunday in the Parkdale area. Serpentina North Ensemble will be providing some dancing entertainment for bazaar-goers. We always enjoy performing at this event, animating the space alongside stilt-walkers, DJ’s and an array of ultra creative and skilled artisans from in and around Toronto. Have you seen the vendor list yet? You can follow the bazaar on Instagram and facebook to prepare your wallet for all the amazing things you’ll want to buy!
We’re in the thick of it beautiful people, early March in Toronto. It will be ok, the seasons change –and we’re already in March! With the urge to hibernate strong, I have made sure my home practice is also strong.
Morning is always meditation and asana. Usually I will do about half an hour of varied asana depending on my mood. Some days its more of a yoga like dance improv.
Once evening hits, I’ll do some yoga to work out the physical and mental kinks of the day. Then if I haven’t already gone to a class or rehearsal I will do some drills.
There are so many options for online classes and while I prefer in person any day, there are some really juicy teachings being offered up online with teachers in other areas. Datura Online, created by Rachel Brice is my favourite as anyone can learn from such an array of tribal fusion pioneers (many of whom I can say I’ve had the opportunity to learn from in person!). There is so much to wade through…lately I have been into drills and combos with Henna, cardio/strength training/drills with Ashley Lopez and of course Datura technique with Rachel Brice.
The other online resource I’ve been using is Integrative Anatomy for Dancers by Deb Rubin. This is a series of videos discussing fascia, anatomy and injury prevention in yoga asana and tribal fusion bellydance. Deb is so knowledgeable about anatomy and movement, with the goal of wellness and longevity for dancers as part of her Dance Therapeutics program.
Bellydancers and yogi(nis), what online resources are getting YOU through this winter???